Teo Hernández Movies

A group of disillusioned American expatriate writers live a dissolute, hedonistic lifestyle in 1920's France and Spain.

Lacrima Christi is an exploration of the transfer between desire and myth that takes as its starting point a series of objects found in the flea...

The banner of the Cannes Festival shows its three premises: glory, money and politics. If you film the banal, the naive and the superficial of the...

The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an...

Fugitive images of the northwestern city of France.

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011....

Hymn to nature, song to the cosmos, Mâyâ builds a world where the camera generates a new type of representation in which the depth of...

Magical Super-8 (shown on 16mm) single frame portrait of the Notre Dame cathedral featuring luminous light and a dense score incorporating players...

All of history, that of Christ or any other, permeates the world, leaves its mark, modifying and informing history, and all that the human reproduces...

Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and...

Filmed in 1988 on the occasion of the parties at the house of Marie-Noëlle Delorme. Shot with camera in hand to small bursts of frames and...

Portrait of the contemporary dancer and choreographer, Montet Bernardo.

In the early '80s, this collective of artists invented a style of cinema made in 4 hands, where each of the protagonists is also a filmmaker.

Teo Hernandez in Versailles

Short film by Teo Hernández that serves as a travelogue of a visit to Granada.

Reel 2 of Gérard Courant's on-going Cinematon series.

Eyes and ears travel discontinuously through everyday life and the sub-worlds of the city and the body. A fragmented and subjective day-to-day...

The outcome of Hernández’ friendship with the dancer and choreographer Bernardo Montet, this work, ranging from black-and-white to...

A gong will never abolish chance? If chance is travesty of desire, and desire movement without measure, cinema is vibration of this desire in fugue.